Force Six Season IV Starts

Force Six, The Annihilators #32

Kat and Mouse Part I Party Girl

Housequake. Shut Up Already, Damn
Force Six, The Annihilators is back with Season IV. We took a brief pause to collect praise and pay accounts for all the feedback, comments, requests and compliments. It’s your deep interest that allows this series to grow and expand. As we enter our fourth season, we celebrate the realization of High Ideas. Thank you for your readership and support.

Kat and Mouse Episode 32 Synopsis
It’s a klepto-caper with a Kat-catastrophic Con-conundrum in an amazing maze that mesmerizes the mouse. It’s a simple mission of grab and get ghost until the guest guesses and the gal gets grasped. The Force Six series begins its fourth season with a shifting grifter gift-giving adventure. Played and penned by Drew Spence.

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Killer Butterfly Issue 10

KB#10 The Butterfly Effect

Killer Butterfly issue 10 The Butterfly Effect
Wings flap in a quiet field as a bird of prey swoops down on the fearful mouse. Young Kuse Yatsumi faces the fearsome Mishin Miyazaki over the fate of a thief! It’s a day of reckoning for all under the eye of the eagle. Odion Adisa starts his journey to the Eagle Fortress. He goes forward with less that he expected. The Killer Butterfly series continues in issue 10 The Butterfly Affect. 40 Pages, full color. Chopped and cropped by Drew Spence.
The entire first season is available on ComiXology.

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We are The Dynamic Universe. We create graphic comics. They sit between traditional strips and a 3-D style of photorealistic drama. Enjoy the science-fantasy action adventure with terrific tints, great graphics and compelling story-telling. Read the comic and enjoy the soundtrack. Story and art by Drew Spence.

Daz Store Visual Story Writing

Visual Story Writing : From Inception to Production

Drew Spence, comic creator shares his experience on story writing for your 3D art using Daz Studio. This two part tutorial set runs for 3 hours and 24 minutes in total.

Every road trip requires a map to prevent the driver getting lost along the way. Similarly the crafting of any well told story for a visual narrative is potentially a long road trip!

On the way you may find some diverting stops and detours. You might even change your mind about the final destination.

But if you are wandering aimlessly without a plan, your passengers (or readers) will eventually get tired, hungry and grumpy. They’ll think again before going on a road trip with you.

Without a proper map there is no answer to the question, “Are we there yet?”

High quality stories tell you plainly when you have arrived at the destination. Don’t leave your passengers guessing about whether you’re getting close.

Stories have deliverable payoff points- just like like the signs along a highway counting down the miles until you’ve reached your destination. They give you a sense of scale and a growing anticipation that the end is nearing.

Part I Creating Your Story from Inception to Production (tutorial 1)

• Nailing down the “Big Idea” and inspiration behind your work as you create a vision worth investing your time and resources and being worthy of reading and supporting.
• Pro Tips and the necessary elements that you should have in place BEFORE you start creating your story.
• Breaking your story into deliverable chunks and creating incentives for support and the emotional investment from your readership.

Part II Caring for your story (tutorial 2)

• Crafting characters and creating a curve. We’ll go beyond the heroes’ journey and focus on the ‘lost art’ of storytelling through images and well, more images.
• We will tackle maintaining a production schedule along with time management and the intersection between inspiration and technical skill.
• We will provide tools to address writer’s block, lulls, dry spells, rough spots and even avoiding dead ends.

Part III Closing out your story, taking breaks and exit points. (tutorial 2)

• We will address buffer zones and creating natural gaps, a hiatus and premature endings.
• We cover the techniques to ramp the entire series towards a satisfying climax.
• We finish with the finale -After the story is done and the open-ended ending.

You can find other series that Drew Spence has created with Digital Art Live for purchase in the Daz Store. https://www.daz3d.com/digital-art-live You can take classes, watch tutorials and attend webinars and much more https://digitalartlive.com/events/

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Review Fix Exclusive: Drew Spence Talks ‘Force Six

Force Six – Blades and all…

Review Fix chats with “Force Six, The Annihilators” creator Drew Spence, to find out what inspired the comic. Revealing what else he’s working on, Spence lets us know his career in comics is just beginning.

Review Fix: What inspired the look and feel of Force Six, The Annihilators?

Drew Spence: I started creating comics as a kid and was influenced by, well everything! I loved Sci-fi, fantasy and martial arts. I watched movies, read comics, played D&D [the Dungeons and Dragons tabletop game], video games and adventure books. The Annihilators switched genres for almost every story so, as an adult revisiting this comic, I needed a universe that could accommodate all those settings and angles and still make some kind of sense.

Review Fix: What about using CGI over traditional media? Where did that come from?

Spence: I would see these robots and figures in overseas catalogues, the toys and models and wanted that exact look for my art so I started scanning the pictures and turning them into comics. That started my experiments in photo manipulation. I did a good number of comics, but I still needed more control. I filmed a season of Mark of the Griffin (a live action web series) and used the still frames to make a comic.  I came across John Byrne’s Star Trek New Visions and realized the overall potential.

Read The REST: https://reviewfix.com/2019/06/review-fix-exclusive-drew-spence-talks-force-six-the-annihilators-and-more/

2D Postwork Assets: Planets Vol I

Daz Store Product Release

Postwork: The process of taking an image, like a digital photo or render, and performing additional edits and adjustments to bring the work to competition.  These edits may include adding and subtracting elements and post-process filtering.

Want to take total control of your backdrops and outer space scenes? Have you hit the wall or run out of skydomes and HDRI environments? Rendering with the dome off leaves your main scene intact, but leaves the backdrop transparent. Once your render is done, it can be dropped into any program that supports layers and these 2D assets can be added to finish off your scene.

It can be a chore to find royalty free and useable images of alien and interesting planets. Here is where the 2D postwork series shines as it supplies numerous PNG images and plates of various planets, planetscapes and space backdrops. Quickly drag and drop these 2D assets onto your digital canvas and have total control of your space scenes or any art that requires high quality heavenly bodies.

Multi-shot planets: Single planets created at different points of rotation. This series of images represent different phases as they add a different look to any planet that might be shown more than once and needs to look fresh. These are presented as PSD files with all the different angles combined as multiple layers.

Planet Plates Planetoids: Incredible Images of planets ready to be dropped behind your renders. Available as PSD layered files AND separate PNG images for browsing ease. These are fully realized planetary images in space, great as backdrops and desktop wallpapers.

Planet Plates Surface: That “space” just above the planet gets special attention as we present 20 different images (of three planets) from near orbit and close to the surface. These are complete images that are ready to be dropped behind your Daz render as an instant epic backdrop. Can be used ‘as is’ or tweaked to your heart’s content.

Space Motion Plates: Its 23 images of that space ‘far in the distance’. These are finished backdrops that make a colorful canvas for your main subject. These are beautiful enough to be used as desktop wallpapers, but functional enough to send your art – off to the far reaches of the galaxy.

Spectrum Planets: Isolated images of planets organized by color. Of course you can alter the color, but we’ve supplied an assortment of planets that are ready to mix and match against any backdrop. Sometimes, all that’s needed is a small blue marble…or a yellow marble or…

Colorful Near-orbit surface shots: Partial planet images that would be good for orbiting space stations or events occurring just beyond the planet’s atmosphere. Enjoy a colorful patch of pretty planet parts. These are the partial arcs of a planet’s surface, place them on the edges of your scene to hint at the larger world beyond.

Ringed Planets:  A thin field of asteroids and pulverized space dust creates a beautiful band around these planets. We present entire planets and their rings. Additional media is also found in the planet plates directory.

– Includes instructional video on the various products in this series and lighting tricks for beautiful deep space renders.

Bonus Images of the 2D spaceships (used in the promotional art) provide quick-start content for your own space scenes.

You can find other series that Drew Spence has created with Digital Art Live for purchase in the Daz Store. https://www.daz3d.com/digital-art-live You can take classes, watch tutorials and attend webinars and much more https://digitalartlive.com/events/

Killer Butterfly 08 One Deadly Venom

08 One Deadly Venom
It’s Jaguar versus snake as Odion clashes with Lokai at the house of Lady Yagfu. One Deadly Venom may be enough to overcome our warrior. Kuse learns an important lesson and begins to awaken in this ramping issue of Drew Spence’s Killer Butterfly series. Enjoy the Martial Arts-fantasy comic from The Dynamic Universe.

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https://www.patreon.com/TheDynamicUniverse

Character Development for Visual Stories

If you’re building a 3D character, have you struggled to find a consistent method to make sure they are distinctive and recognizable? Or are you just using trial and error….feeling your way to a possible result?

Drew Spence has solid experience in building dozens of 3D characters, including those for his Force Six Annihilators graphic novel series.  In this tutorial, he’ll show you his approach to developing distinguished and memorable characters, with Daz Studio at the heart of his workflow.

Included is a bonus tutorial that provides a great foundation for understanding basic elements of a character as well as character archetypes.

Content for this 3D Character Development Tutorial Includes..

• Building your story world
• Identifying characters and roles
• Who is your character design aimed at?
• Character strengths and weaknesses
• Define the character’s “look and feel”
• 15 Recommended products for developing characters in Daz Studio.
• Writer and reader perceptions of characters
• Making the character distinctive
• Real world checks on your character
• Dealing with an ensemble of characters

Bonus tutorial : Creating Compelling Characters by Peter von Stackelberg (part 1 only)

• Our understanding of the characters is shaped by the actions they take
• Elements to understanding a character
• Key Properties of Characters
• The Characters Populating Your Storyworld
• Major, Minor and Placeholder Characters
• Character Archetypes
• Avoiding Clichés and Stereotypes
• Raising the Emotional Stakes
• Why is it important that characters be distinctive?
• What makes a character distinctive looking?
• What keeps characters from looking distinctive?
• Purposeful Resemblances
• Challenges In Distinctive Features
• How characters are typically differentiated
• Ways to test your cast’s distinctiveness

You can find other series that Drew Spence has created with Digital Art Live for purchase in the Daz Store. https://www.daz3d.com/digital-art-live You can take classes, watch tutorials and attend webinars and much more https://digitalartlive.com/events/