The Dynamic Universe on Patreon

THE DYNAMIC UNIVERSE goes live on PATREON

Thank you for supporting The Dynamic Universe! We are a creative engine- turning out Graphic Comics, Music and Video. Help us generate new content by getting involved. We are Recording Artists Dynamics Plus, Domino Grey and Fallout Shelter. We are Mark of the Griffin. We are Dynamica Comics – serving you graphic comics and art. Our tastes swing from ambient to epic, from the symphonic to the synthetic. Thank you for joining us on this amazing ride. Together, we’ll bring the far future – closer, faster.

Get involved for behind the page access, exclusive and un-edited content, new music and art. Add your voice and help decide where we go next. It’s your universe. We’re just here to make it more Dynamic. Thank you for your support. It means everything.

https://www.patreon.com/TheDynamicUniverse

 

F.A.Q.    The Dynamic Universe on Patreon

 

Firstly, you are NOT buying a product. You are $upporting The Dynamic Universe and, in turn, getting FREE access to everything we create based on your level of support. You can increase, decrease or modify you $upport level at any time you wish.

 

1) WHY and HOW does the $upport per release vs monthly contribution work?

 

Since the amount of releases per month may change, we feel it is best to accept your pledge ONCE per month. If we do not release any material, you simply do not pay anything for that month. Also, for example, if you pick the $8.00 level of support and we release three projects, you will NOT be charged for each product. You would be charged your one-time contribution of the $8.00 for the ENTIRE month and receive your complete share of the Dynamic Universe content.

 

2) What do you create and release?

 

The Dynamic Universe is the combination of the AVXP music label (Dynamica Music) and Dynamica Comics. We are home to recording artist Dynamics Plus, electronic music producer Domino Grey and the instrumentalists Fallout Shelter. We produce graphic comics with the lead title being Force Six, The Annihilators. We have plans to branch into other mediums and properties. As we get a better idea and a reliable timeframe, all of our Patreon supporters will be updated.

 

3) Can I just give you something in one lump sum?

 

Sure! What I suggest is heading over to the Dynamica Music store and grabbing a few titles. (http://www.dynamicamusic.com/store.asp) Grab multiple copies of the same release if you feel the urge to show some super love this way.

 

4) You have quite a collection already. Can we get your old stuff?

 

Web series and videos like Mark of the Griffin are free to watch and the entire released musical catalogue is available on iTunes, Amazon, Beatport, CD Baby and everywhere digital music is sold. You can also buy it directly from the Dynamica Music store. Once you’re a Patreon supporter, drop us a line and we’ll talk about it. Speaking of which…

 

5) Do the Patreon $upporters have real influence?

 

Of course! This remains flexible. Join us on Patreon to give feedback and help build a better build. This is only 1.0

 

 

For Free Content, you should subscribe to the Dynamic Universe Blog, our youtube.com/DynamicaMusic channel and follow the various artists on the roster. Dynamics Plus, Domino Grey (@DominoGrey), Fallout Shelter, Mark of the Griffin(@MarkoftheGriffin) and The Dynamic Universe @DynamicaMusic.

 

 

 

$1.00 Tier

This is saying ‘Hey, I appreciate your work and want to drop in once a month and say hello.’ No amount of consideration is too small to overlook or take for granted. Thank you.

 

 

$5.00 tier

– early access news updates and releases

– Free download access of the Graphic Comics in PDF format.

– Free access to any musical releases (singles, EPs, albums)

 

$8.00 tier

– early access news updates and releases

– Free download access to an HD QUALITY version of the Graphic Comics PDF

– Free access to any musical releases (singles, EPs, albums) + Remixes

 

BONUS content may include

– unedited version of graphic comics (Mature Version)

– Alternate artwork

– Skype QA session invites

– Behind the panels exclusive looks

– Additional download access of satellite titles

– Prizes and gifts to be announced

– and more is on the way!

 

Thank you for $upporting The Dynamic Universe!

Any questions, drop a line ReachMe@TheDynamicUniverse.com

Fallout Shelter featured in Jamsphere magazine October issue

Elevator Music is Going Down in Jamsphere Magazine

 

Those multi-personality-powered Fallout Shelter instrumentalists are featured in October’s print and digital issue of Jamsphere magazine. They get down with the newest release Elevator Music: Going Down.

Jamsphere covers all the news, reviews, interviews and events of the world’s top independent music artists from all genres. Every month we choose the cream of the crop from the numerous artists published across the JAMSPHERE network and edit them into our magazine, ready for digital download or to be delivered as a physical copy right to your door. Each month copies are also distributed to industry professionals and music’s top taste-makers, as we continue our quest to make indie irresistible!

 

Falling in with Going Down!

OCTOBER ISSUE FEATURES: Dog Society, Sono Vero, Sarantos, Eric IQ Gray, The Felt Fedoras, Fallout Shelter, Marshall Dane, TigerPunch, Jon Alkalay, Bobby Bofman, Xander Demos, Ryan Spendlove, Daniel Angelus, Darren Cinque, Midwest Skies!, Fruit N Beef, Unkle Sam, Fallout Shelter, Zaena Morish

 

Main site: http://jamsphere.com/

Link to buy current issue and/or subscribe: http://www.magcloud.com/browse/issue/820847?__r=486952

Since it aint free to read, here are the two pages dedicated to Fallout Shelter.

Page 01 from Jamsphere magazine October Issue

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2nd page of feature Jamsphere magazine

Support the indies and buy that issue, it’s only $1.99 for a slice of history.

Get at them

Tweets by Jamsphere

https://www.facebook.com/JamSphere

JamSphere Review: Fallout Shelter Elevator Music Volume III Going Down

Fallout Shelter: “Elevator Music Volume III Going Down”

 

Jamsphere in the Sphere of influence.

Emotional warmth fills the tracks

along with their usual sonic extremes

Posted By: Rick JammPosted date: September 22, 2014

 

Four music producers decide to combine forces and create music under the name Fallout Shelter. They are Dynamics Plus (from the Lenzmen rap group), Drew Spence (from Producer’s Edge Magazine), Xodus Phoenix (instrumentalist) and Domino Grey (electronic music producer). These are instrumentals and beats designed for your listening pleasure.

Fallout Shelter has always taken their sound to new heights, adding depth and intricacy to their scores of heady electronics. Emotional warmth fills the tracks, along with their usual sonic extremes, creating an album that is at once moving and honest. Elevator Music Volume III Going Down will change the way you listen to electronic music.

 

READ MORE @ JAMSPHERE!!!!!!

 

Reverb Nation : http://www.reverbnation.com/falloutsheltermusic

 

Blog Post relating to fallout Shelter

https://dynamicsplus.wordpress.com/category/fallout-shelter/

 

iTunes

https://itunes.apple.com/us/artist/fallout-shelter/id312307879

Video: Fallout Shelter Elevator Music Volume III Going Down EarWaxxSessions

Fallout Shelter @ EarWaxxSessions

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Fallout Shelter was invited to open the EarWaxxSessions and we made a video that highlights parts of the set that feature music from Elevator Music Volume III Going Down instrumental album.

Filmed by Samuel M Wimbley.

Tracks featured in Track Sampler

01 Mixdown Replicant ( prod. Dynamics Plus)

02 Ray Trippin (prod. Xodus Phoenix)

03 Dia-Monde (prod. Dynamics Plus)

04 Twister Lime (prod. Drew Spence)

06 VIP Section (prod. Drew Spence)

07 Culprit (prod. Dynamics Plus)

08 Martyr For The Cause (prod. Drew Spence)

11 Load Up The Posse (prod. Dynamics Plus)

16 Push Forward (prod. Dynamics Plus)

 

Fall in to the fallout with Fallout Shelter.

 Fallout Shelter

 

Four music producers decide to combine forces and create music under the name Fallout Shelter. They are Dynamics Plus (from the Lenzmen rap group), Drew Spence (from Producer’s Edge Magazine), Xodus Phoenix (instrumentalist) and Domino Grey (electronic music producer). These are instrumentals and beats designed for your listening pleasure. We only wish regular Elevator Music was so groovy.

 

Reverb Nation :  http://www.reverbnation.com/falloutsheltermusic

 

Blog Post relating to fallout Shelter

https://dynamicsplus.wordpress.com/category/fallout-shelter/

 

iTunes

https://itunes.apple.com/us/artist/fallout-shelter/id312307879

 

Ear Waxx Sessions info

@EarwaxxSessions

https://www.facebook.com/theearwaxxsessions

Dynamics Plus -Exclusive Music and Life interview with Lee Caruso

Exclusive Music and Life interview with Lee Caruso. It’s a Fallout Shelter start when producer Dynamics Plus chops it up over the latest release Elevator Music Volume III Going Down. We mind the music and more in this Q/A.

 

Fall out in the Fallout

 

Do you think that producers like Dj Premier, Dr Dre, RZA, Pete Rock etc. influenced you to make the decision to release an all instrumental album?

 

No. I knew of PeteStrumentals from seeing ADs about it, but haven’t been following anyone else. I think it’s a good idea to have an outlet for your productions aside from the narrow lane of backing music for rappers.

 

What was your biggest setback in becoming a musician?

 

It took a long time to discover that many ‘sounds’ are a product of playing technique and not generated solely by an instrument’s tonal character. It’s something close to an articulation where the interaction of notes, timing and velocity create a sonic moment that is impossible to create otherwise.

 

How does studio engineering play a role in getting the desired sound that all of us musicians have inside our heads but have trouble reproducing?

 

It’s about knowing the How behind a sound and the tools that are needed to achieve it. You can be looking for a massive drum sound and keep asking for more bass, EQ and compression. An engineer might know it’s really distortion you’re after. Or if you’re trying to get a certain character you hear on an older record – it might come from the tape saturation. A solid engineer can help translate what you describe into a process and help get you there.

Are you a perfectionist when it comes to your craft? How long does it usually take you to complete a song- Is it ever really finished by the time the release date comes?

 

The release date is usually what causes me to stop tinkering. You can noodle and keep adding things forever. Sometimes I listen and I want something happening every split second and other times I have that patience for repetition and let a groove run. Every song is different. Some records have taken years to realize. “Gear Lust” was written and rewritten a dozen times but then “Dominator Brainstorm” was almost a freestyle keeper.

Going Down is getting up

Do you generally do crate digging for vinyls or do you use digital software based models to come up with your sound?

 

I haven’t done any digging in years- although I have a pretty solid collection. I like hardware manipulated by software. Software affords so many advantages, but if I slide too deep in that programming direction, I begin to feel like my songs are an arrangement of sounds and not a recording of performances.

 

What kind of gear do you use- headphones, speakers, DAW, Plug-ins, compressors, EQs etc.

I keep it pretty simple. I like to work in pure audio. I like to see my recording. I reserve MIDI for inter-communication between pieces, but rarely for triggering a sequence or controlling my song.

 

What do you think of the concept of sampling? Do you think it is fair use if utilized in small increments of straight up stealing of someone else’s intellectual property?

That all depends on how it’s done. Sampling approaches the same level of thievery as copying someone’s chord progression, technique and stylistic tendencies. Just because you’re playing an instrument doesn’t mean you aren’t building off another artist’s work. How much- decides how thick the lines are between creativity, inspiration and mimicry.

 

What music do you listen to other than hip hop?

Well to be honest, I don’t listen to too much hip hop. I have a very wide playlist with just about everything on it- from cheesy 80s music to Funk to Classical to Calypso. I have fight music from video games and I record the audio from my favorite scenes in movies.

 

What was the best concert you have been to and why?

I’d say KRS One at Stony Brook University. It was my first time experiencing an artist at that level live. He was more than a rap star rapping his records. I felt like I took a trip and thought about music differently after that. Up until then, I was primarily experiencing music through recordings so when I made songs, I thought about the radio as the main delivery medium. Seeing songs in a live context opened up new ideas and avenues.

 

How is the music industry changing and how are artists able to get their music out into the open without the help of huge labels like Warner, Universal, and Sony?

The big change is labels wanting you to self-start your career. You need to get yourself out the gate. No one is looking to create or develop you; they are looking to discover you – already walking down that dusty road. The dilemma is, by the time they tell you ‘hop in’ you really don’t need that lift anymore. The ride is more about arriving in style at that point. Everyone has the media now: songs, videos, social profiles and band pages. The tougher part is getting people to care and that still requires a massive effort by the artist.

 

Blast Off!

Why do you do this- why is music such a passion of yours?

I don’t know anything else that makes me feel this way. There’s a moment of childish giddy when I listen to some things that I make. I rewind it over and over and over again. There’s a beautiful moment of disconnect where I don’t hear elements or see a sequencer rolling by, it’s just a musical experience at that point.

 

Who is part of your team- do you have lawyers, managers, agents, accountants, engineers, producers etc. If you want to do something big in the music biz you are going to need an army.

We move more like a specialized unit. The world isn’t about fighting wars against a stand up army anymore. It’s covert operations and small units. Why do I need to do something big? If you think about the most peaceful places to live and be in the world, those nations don’t have armies. I don’t need a room full of people scheming on your sensibilities to do what I do.

 

What do you think of hip hop music today? Do you think the best stuff is on the TV and radio?

Loaded question, but okay. You know what goes here.

 

Do you have any passion projects?

Yeah, anything story based. CHAOS Legion and Battlestrux. There’s a bunch of that material that I know is catering to a small segment of music listeners.

 

What are you most proud of as a musician?

I would say my catalog. I like being self sufficient.

 

What kind of student were you growing up?

Stronger in English and anything dealing with writing. I leaned that way, right from the start.

 

If you had one last meal before you died, what would it be?

Some kind of salad with toxic herbs- enough to fake my death and later escape, after waking up in the morgue.

 

How busy are you generally when it comes to music- do you still have time to socialize and have family time?

Everyone that knows me understands how important music is. If you’re around me, you’ve been involved with my music in some capacity. That’s the connecting point.

 

What was the first 16 you ever wrote? Can you spit it right now?

I know a few bars from it, but not the whole thing. And it’s pretty terrible except for the few bars I barely remember. Some things are best left buried and forgotten.

 

Who do you think holds the torch of hip hop right now and who used to? This doesn’t necessarily have to be subjective.

Yeah, I don’t know. That’s insider fan stuff and I honestly don’t consider myself a knowledgeable follower and haven’t been for a long time. I know so little about who’s doing what, I couldn’t even name an accurate top ten of anything. We’d have to go way, way back.

 

Where do you see yourself in 5-10 years?

Doing whatever I would want to be doing. I only say that because I can look back 5 years a few times now. And that’s basically what I’m doing so I figure that won’t change. It’s like me from the future showing up now and giving myself advice. It would be the same advice each time: Find that thing you want to do and do it 100%.

 

 

 

What was the worst job you ever had?

I won’t name it, but I can describe it. It wasn’t enough money to better my situation. The length of time I did it was not adding up to useful experience. And the job itself wasn’t helping humanity in any way possible and as an employee, I was not appreciated. And last, there was no future or better days or advancement to look forward to or build toward. It made no difference if I was the best worker or worst.

 

If you can look at most situations with that same scrutiny, you’ll find a lot of decisions are pretty easy to make. Man, thank you for taking the time to chop it up like this. I appreciate it.

 

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Fallout Shelter Elevator Music Volume III Going Down is available on iTunes and other digital outlets

Rocket Science is out now and available on iTunes and other digital outlets

You can watch the video for the lead single “Phase Shift” on You Tube.

http://www.thedynamicuniverse.com/

 

 

 

Punk Reviews – reviews Fallout Shelter Elevator Music Volume III Going Down

Punk Reviews on Fallout Shelter

Instrumental beats beats em in the head. Punk Reviews reviews the new.

Source: http://punkreviews.net/post/92943762140/fallout-shelter-elevator-music-volume-iii-going-down

Going Down is getting up

“…by the end of the second listen I had begun memorizing lines and was swaying to the beats. Every track has a surprise at every corner, each song brings something new to the table rhythmically. There is also very good things to say about the actual production of the album as well.”

Artist: Fallout Shelter
Album: Elevator Music Volume III Going Down
Reviewed By: Joe Wallace

It isn’t too often that we’re requested to review an instrumental Hip-Hop album, but it is something I enjoy. Getting the chance to listen to something new and different to change the daily routine is always nice.

Prior to listening to this album for review I had never listened to Fallout Shelter, so at first listen I was very critical, however by the end of the second listen I had begun memorizing lines and was swaying to the beats. Every track has a surprise at every corner, each song brings something new to the table rhythmically. There is also very good things to say about the actual production of the album as well. It’s not my favorite genre to listen to, however it was a very well put-together album and I’d suggest it to any of my friends who listen to hip-hop.

 

READ THE REST

http://punkreviews.net/post/92943762140/fallout-shelter-elevator-music-volume-iii-going-down

 

You can hear the music here:

http://www.djshop.de/details/ex/s~details,u~10077671,p1~MP3/xe/show.html

 

 

 

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