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ComiXology carries Episode 01 Trick Shot

Force Six, The Annihilators on ComiXology!

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ComiXology carries Episode 01 Trick Shot

The Dynamic Universe has connected with digital retailer giant ComiXology and placed Force Six, The Annihilators in their catalogue of titles. You now have  a new way to support The Dynamic Universe and enjoy our graphic comics in a very accessible format. Thank you ComiXology!

Comixology Screen capture

 

ComiXology is a cloud-based digital distribution platform for comics. It offers a selection of more than 100,000 comic books, graphic novels, and manga across Android, iOS, Kindle Fire, Windows 8 and the Internet. In April 2014, ComiXology became a subsidiary of Amazon.com.

ComiXology’s digital platform with Guided View reading technology is used in the company’s own branded applications, and is the engine used by most major comic book publishers in the United States, including Marvel Comics and DC Comics for their privately branded digital services.

The Dynamic Universe on Patreon

The Dynamic Universe Patreon Banner

THE DYNAMIC UNIVERSE goes live on PATREON

Thank you for supporting The Dynamic Universe! We are a creative engine- turning out Graphic Comics, Music and Video. Help us generate new content by getting involved. We are Recording Artists Dynamics Plus, Domino Grey and Fallout Shelter. We are Mark of the Griffin. We are Dynamica Comics – serving you graphic comics and art. Our tastes swing from ambient to epic, from the symphonic to the synthetic. Thank you for joining us on this amazing ride. Together, we’ll bring the far future – closer, faster.

Get involved for behind the page access, exclusive and un-edited content, new music and art. Add your voice and help decide where we go next. It’s your universe. We’re just here to make it more Dynamic. Thank you for your support. It means everything.

https://www.patreon.com/TheDynamicUniverse

 

F.A.Q.    The Dynamic Universe on Patreon

 

Firstly, you are NOT buying a product. You are $upporting The Dynamic Universe and, in turn, getting FREE access to everything we create based on your level of support. You can increase, decrease or modify you $upport level at any time you wish.

 

1) WHY and HOW does the $upport per release vs monthly contribution work?

 

Since the amount of releases per month may change, we feel it is best to accept your pledge ONCE per month. If we do not release any material, you simply do not pay anything for that month. Also, for example, if you pick the $8.00 level of support and we release three projects, you will NOT be charged for each product. You would be charged your one-time contribution of the $8.00 for the ENTIRE month and receive your complete share of the Dynamic Universe content.

 

2) What do you create and release?

 

The Dynamic Universe is the combination of the AVXP music label (Dynamica Music) and Dynamica Comics. We are home to recording artist Dynamics Plus, electronic music producer Domino Grey and the instrumentalists Fallout Shelter. We produce graphic comics with the lead title being Force Six, The Annihilators. We have plans to branch into other mediums and properties. As we get a better idea and a reliable timeframe, all of our Patreon supporters will be updated.

 

3) Can I just give you something in one lump sum?

 

Sure! What I suggest is heading over to the Dynamica Music store and grabbing a few titles. (http://www.dynamicamusic.com/store.asp) Grab multiple copies of the same release if you feel the urge to show some super love this way.

 

4) You have quite a collection already. Can we get your old stuff?

 

Web series and videos like Mark of the Griffin are free to watch and the entire released musical catalogue is available on iTunes, Amazon, Beatport, CD Baby and everywhere digital music is sold. You can also buy it directly from the Dynamica Music store. Once you’re a Patreon supporter, drop us a line and we’ll talk about it. Speaking of which…

 

5) Do the Patreon $upporters have real influence?

 

Of course! This remains flexible. Join us on Patreon to give feedback and help build a better build. This is only 1.0

 

 

For Free Content, you should subscribe to the Dynamic Universe Blog, our youtube.com/DynamicaMusic channel and follow the various artists on the roster. Dynamics Plus, Domino Grey (@DominoGrey), Fallout Shelter, Mark of the Griffin(@MarkoftheGriffin) and The Dynamic Universe @DynamicaMusic.

 

 

 

$1.00 Tier

This is saying ‘Hey, I appreciate your work and want to drop in once a month and say hello.’ No amount of consideration is too small to overlook or take for granted. Thank you.

 

 

$5.00 tier

– early access news updates and releases

– Free download access of the Graphic Comics in PDF format.

– Free access to any musical releases (singles, EPs, albums)

 

$8.00 tier

– early access news updates and releases

– Free download access to an HD QUALITY version of the Graphic Comics PDF

– Free access to any musical releases (singles, EPs, albums) + Remixes

 

BONUS content may include

– unedited version of graphic comics (Mature Version)

– Alternate artwork

– Skype QA session invites

– Behind the panels exclusive looks

– Additional download access of satellite titles

– Prizes and gifts to be announced

– and more is on the way!

 

Thank you for $upporting The Dynamic Universe!

Any questions, drop a line ReachMe@TheDynamicUniverse.com

Dynamics Plus Taxi All Is Fair on WOAFM99

The Rocket Science “Taxi: All Is Fair” plays on Oliver Sean’s WOAFM99

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Today’s episode of the WOAFM99 Radio Show features breakthrough Indie Artists’ song’s that reminded us of old school legendary tracks that defined some of these genres these artists represent. Right from Pop Rock to Rap and Acoustic to Chillout.

Oliver_Sean_New_Poster

The WOAFM99 Radio Show is a weekly syndicated radio show licensed and distributed for free to commercial radio networks and is hosted by MTV EMA Nominee and Vh1 Top 10 Musician and Producer Oliver Sean www.oliversean.com
The artists and songs featured on today’s WOAFM99 Radio Show (Episode 12) are:
Macey Mac – I’m Getting Better
Steven Brown – Its All Glorious
AVXP / Dynamics Plus – Taxi All Is Fare
Dream Eternal Bliss – Don’t Stop
The WOAFM99 Radio Show is produced by Oliver Sean Productions and WOA Films for the WOA Entertainment Group
woalogogrammymember

You can catch the show online at:

 

 

 

We suggest sharing the online podcast version and getting your fans to comment and like on Facebook/Twitter as that leads to additional airplay for your music on the WOAFM99 Radio Show, which is licensed and distributed for free to commercial FM Radio stations across India & Dubai and is also supported Internationally by PRX on Public Radio worldwide.

Dynamics Plus Gear Lust Remix Video and Lyric Study

October 14, 2015 Leave a comment

Buyers Remorse remix version video of “Gear Lust”

Gear Lust remix Video screen capture

Lust again for Gear

“Gear Lust” was written as a very personal song and I figured most of the references would fly over the average listener’s head. What might connect- is the numerous equipment, brands and hardware references. If you are into production or even been around studios long enough, you might have an aha moment. Mostly, the concept is centered on collecting equipment for the sake of enjoyment as opposed to creating/amassing tools to perform a particular set of tasks.

Gear Lust: To have an intense desire for equipment usually beyond any logical needs of the musician.

            My earliest studio days saw me doing very much with very little. My first sampler was my parents home stereo system’s dual tape deck. Yep, rewinding one tape and loop-recording on the second. When I bought an AKAI SO1, I thought I had it all. The first big purchase I made was an Ensoniq ASR-10 and the expense (when it was brand new) was enough to convince me I was serious and that this was an investment (or at least it better be).

GEAR LUST

VERSE 1

~I’m at Sam Ash, a credit card in a flash

     -little stash of spending cash soon as the salesman asks

       ASR in my grasp, quickly cashed out

then did the dash — maxed out

big black box carried out

first track I tracked out the First beat blacked out

and since seen the seeds sown

that I’d seek to

own a whole studio

and compose in a grove where fungus grows

(the original darkness of a basement studio)

and go all out for a Fallout Shelter

where time goes in reverse.

I’m so immersed in a verse and reawakened

to when first taken by the Gear Lust thirst

(being reminded of how it all started by this song)

 

There’s been continuous references to radioactivity and all things nuclear, which is all derived from my studio being called the Fallout Shelter.

VERSE 2

Then, then the M.P.C became the M.C.P.        

Master Control Program over quantized beats

(references the AKAI MPC 2000XL which served as the central MIDI box and beat-making starting bit. The movie TRON with the central computer)

Dispatch EMTs this patch bay EMP

Radioactive fallout rays irradiate my Rom Tray

It’s the space knight Rompler verse the titan

Triton astride a tide with his trident

Korg silver surf board

(This is about the big change and falling in love with workstation keyboards. The KORG Triton was the first purchase.)

~I’m Jean Luc Infected by the Borg my foresight

affords me more Cause to amplify chords and multiply

Scores.

(Now we are playing a ton of music and writing out bits of music as notes instead of album and records as sampled sources)

   I’m tied to the microKORG: It’s an applied

optical force brought forth from the visors of Geordie LaForge

less is more, none the less I’m poor, even when blood

pours from my pores I’m still at the store with more gear in store.

(Continuing the Star Trek references and a nod to the very first preset library I designed for the KORG microKORG for Producer’s Edge Magazine. I credit the microKORG as being the first synthesizer I bought. The seeing is about seeing the future because this is where I began to see the impact of adding more and more pieces to my studio – ugh oh here we go)

VERSE 3

The baby plays in his playpen the Rob Papen presets sits

and assists in the bank of the A6.

It’s the basics of a spaceship, in an analog grip equipped with

digital chips, conducting experiments

(I was always sampling the sounds from Sci-fi movies and wanted to tap into the source and generate those sounds myself. I researched analog synthesizers and saw the Alesis Andromeda as a monster addition. I studied the presets designed by Rob Papen and learned a new appreciation for programming and moved away from the ROMpler preset as a final destination.)

Rocket Science cast iron Voltron Black Lion.

Gear with brushed aluminum in all their glory. Well yeah, if we have a Voltron, then the A6 is the black lion sitting in the middle as the body of my studio.

Galaxy Alliance – LFO descends like a UFO

(I start generating the tones I was searching for)

pro tool to edit in Audition, extra exhibition.

I’m Roy Orbison with X-Ray vision

visit my Solar System

(Switching to computers with both Pro Tools and Adobe Audition was a huge change. And once you turn out all the studio lights out, you see a galaxy of stars.)

I’m a Projector wiz with the AV and with the

JP and the JD and the JV all Roland into one

Super Friends/ Justice League.

Greed’s the engine to feed, plus it’s the rush of gear lust.

(All references to Roland rack-synths. I felt like I had missed out on some real gems and began tracking them down one by one.)

VERSE 4

On Craigslist I can’t resist the endless

list of equipment and musical instruments.

I told my wife I need this

Every weekend someone was selling another “classic” at an affordable price. There were times I didn’t even think I needed the piece, but I didn’t want to miss out on a good deal.

   She said get your Focusrite it’s a sounbank that amounts

   A new track to bounce, a few checks bounce,

a new age pronounced, the old sounds drowned out,

moving the crowd, removing any doubts, setting up my debit accounts

my debt mounts, I moved out, first record comes out,

my credit runs out, a few fans ran out.

(And part of the addiction is the music being made. With every new piece it feels like something is changing or growing and the lust begins to feed itself based on output. A new hot track validates the purchase. ‘See, I couldn’t have made this if I didn’t buy...’)

Shots rang out, CD sales count and I surmount

and insert a new serving; this my new album announced

   Rush my Rocket Science – a crush is a crutch,

and hear a bust, – down for the count from the Gear Lust.

(The reality is, it doesn’t take a mound of gear to get the records made. And leaning on new purchases is an excuse to not be productive. I can’t do this until I get this…If I only had a…

I was extremely productive when I had one piece of gear and people starting calling my living room a studio when I put a mixboard in it. I call much of this the difference between working in a studio and owning a studio. You can spend a lot of time and be easily distracted by minor details which really don’t increase your productivity. You may feel better [and that counts too right?] but as far as getting work done, it can really reach overkill quickly.)

Chorus

Closed Captioned a bust, so close to the clutch

It’s Technique over touch- so close to Gear Lust

     It’s at most a Rush, a new plug is a plus

As it grows so Composed In the throes of the Gear Lust

Closed Captioned a bust, so close to the clutch

It’s Technique over touch- when so close to Gear Lust

(Lastly I do want to mention the line a ‘ a new plug is a plus’. In the remix video I was able to better illustrate that line because it’s a play-on- words. I’m talking about a plug as VST Plug-in and the plug as in a hardware power cable. And of course Closed Caption is always my reference needing to see my lyrics written down so you understand my word choice [homonyms and such]) I fell in love with software instruments, but still leaned towards the VSTs that were powered by hardware samples. And yep, we had a ton of those too. For now, it’s a stripped down studio that is more about work than works- lots of pieces abound, but the focus is only on a few bits of kit.

Before I forget, there is a cameo from WUSB 90.1 Battlezone radio host Richie Ruckuss (https://www.facebook.com/richie.rukkuss)

https://www.facebook.com/WUSB-901-FM-Studios-404478346370121/

And that’s Centri and Dok Strange during a station visit.

You can see the original video here.

https://twitter.com/DynamicaMusic

Website http://www.thedynamicuniverse.com/

You Tube https://www.youtube.com/DynamicaMusic

https://www.facebook.com/pages/Dynamics-Plus/112125078834120

Video: Dynamics Plus – Seek End Destroy Cut Supreme Remix

September 17, 2015 Leave a comment

Dynamics Plus Video

Seek End Destroy (Cut Supreme Remix)

It’s DJ Cut Supreme from the WUSB Trim Mix Party radio show taking the remix lead for the Rock It Science album’s “Seek End Destroy”. It’s Hip Hop on Blast Off with this release.

You can purchase the track here.

And the Rock It Science remix album here

And the…Rocket Science album here and ….

Buy them together plus all the remixes as SUPER ROCKET SCIENCE…..

Catch the exploits of DJ Cut Supreme here!

(And he’s on twitter too)

Dynamics Plus Seek End Destroy Remix cover

New nasty cut from Cut Supreme

Seek End Destroy Dynamics Plus

Seek Begin Destroy with a remix by Cut Supreme!

Jamsphere Music Review Dream Field – Domino Grey & Donna S

September 11, 2015 Leave a comment

Dream Field album review by Jamsphere

Domino Grey featuring Donna S. – “Dream Field” encapsulates the essence of music itself: creativity, passion, skill!

The album “Dream Field” is the combination of producer Domino Grey and multi-instrumentalist Donna S. The two came together to create music that is Jazz-Hop in spirit. The album which contains 11 tracks includes “A New World” from the Butterfly Affect series which is given new treatment, as Donna S. adds her touch, as well as the bonus “Melody Diagnosis” from the Back In The Black release. This is neither pure jazz nor hardcore hip-hop but rather an extension of the two. In other words, this is quite simply an inspired album. The sax from Donna S is sharp, sexy, lyrical and creative, while Domino Grey is as musical as his ever have been on the boards and keys.

The album cover

“Dream Field” is a real high-water mark in the electronic, hip-hop and jazz instrumental crossover field, one that doesn’t seem under any real threat of being surpassed for a little while. Different themes and tempos come together in this urban quilt of jazz-hop textures to make this one of my favorite Domino Grey albums. If you like a groove, but prefer the kind of sophisticated cool you can play even for your parents over the hard core you only listen to when you’re in full party mode, “Dream Field” is for you.

For whatever reason most jazz-hop albums fail but this one works, and I think it’s because of the sax, which as opposed to voice, has a sweeter, rounder, more inviting sound. Thus being less alienating, no matter which side of jazz-hop, you’re coming from. This blend is at its finest here, being inventive, original and in your face, while showcasing both ‘street-based’ and introspective tunes. The album opener “Stylus Grande” takes fusion to another level with an amazing rhythmic groove and some straight Sax hooks.

Donna S. blowing her horn!

It’s on track 3 – “Magic King”, that Donna S breaks free with some serious phrasing while Domino Grey turns up the sound effects. From there on out, the two turn up the heat and the tempo on “Hold Them Off A Little While”. “Fade Distorts” fuses some intense sax lines with beats, samples, instruments and what sounds like some direct voices talking from the studio, into some eclectic lounge loving jazz.

The formula for the most part works extremely well. Donna S blends really well with these jazz-hop-centered beats. And nowhere does she shine much brighter with some thrusty melodic blowing than on, “Top Floor Moorings”, which runs over a straight driving beat by Domino Grey“A New World” is a more of the same ear candy, but percussively aggrandized with respect to the previous track.

However it’s not the genre-fusion in itself that makes this such a great album; it’s the way in which it is fused that is impressive; “Abstraction Layers” and “Melody Diagnosis” proves the case in point. Domino brings in the most disparate electronic and organic sounds to cook in his musical melting-pot on this album. I don’t think anybody has done a better jazz-hop ‘fusion’ job than this so far. “Dream Field” is a far cry from the nonsense which passes as music in the mainstream culture. This album encapsulates the essence of music itself: creativity, passion, skill – it is amazing, and so are its primary interpreters, Domino Grey and Donna S.

OFFICIAL LINKS: WEBSITETWITTERFACEBOOKSOUNDCLOUDBLOG

http://jamsphere.com/reviews/domino-grey-featuring-donna-s-dream-field-encapsulates-the-essence-of-music-itself-creativity-passion-skill

Dynamics Plus SUPER ROCKET SCIENCE

September 9, 2015 Leave a comment

This is Super Rocket Science!

Rocket Science album artwork

44 Songs of Super Science

It’s everything, including the launch pad. Rocket Scientist Dynamics Plus combines every tone, track and tidbit from blast off to splash down.

The albums Rocket Science and Rock it Science are combined with every remix release and turned into a superbly souped-up super package.

Available on iTunes Amazon Beatport

http://www.thedynamicuniverse.com/