Force Six Season IV Starts

Force Six, The Annihilators #32

Kat and Mouse Part I Party Girl

Housequake. Shut Up Already, Damn
Force Six, The Annihilators is back with Season IV. We took a brief pause to collect praise and pay accounts for all the feedback, comments, requests and compliments. It’s your deep interest that allows this series to grow and expand. As we enter our fourth season, we celebrate the realization of High Ideas. Thank you for your readership and support.

Kat and Mouse Episode 32 Synopsis
It’s a klepto-caper with a Kat-catastrophic Con-conundrum in an amazing maze that mesmerizes the mouse. It’s a simple mission of grab and get ghost until the guest guesses and the gal gets grasped. The Force Six series begins its fourth season with a shifting grifter gift-giving adventure. Played and penned by Drew Spence.

Available on comiXology in digital format

Killer Butterfly Issue 10

KB#10 The Butterfly Effect

Killer Butterfly issue 10 The Butterfly Effect
Wings flap in a quiet field as a bird of prey swoops down on the fearful mouse. Young Kuse Yatsumi faces the fearsome Mishin Miyazaki over the fate of a thief! It’s a day of reckoning for all under the eye of the eagle. Odion Adisa starts his journey to the Eagle Fortress. He goes forward with less that he expected. The Killer Butterfly series continues in issue 10 The Butterfly Affect. 40 Pages, full color. Chopped and cropped by Drew Spence.
The entire first season is available on ComiXology.

Available on comiXology in digital format

We are The Dynamic Universe. We create graphic comics. They sit between traditional strips and a 3-D style of photorealistic drama. Enjoy the science-fantasy action adventure with terrific tints, great graphics and compelling story-telling. Read the comic and enjoy the soundtrack. Story and art by Drew Spence.

Character Development for Visual Stories

If you’re building a 3D character, have you struggled to find a consistent method to make sure they are distinctive and recognizable? Or are you just using trial and error….feeling your way to a possible result?

Drew Spence has solid experience in building dozens of 3D characters, including those for his Force Six Annihilators graphic novel series.  In this tutorial, he’ll show you his approach to developing distinguished and memorable characters, with Daz Studio at the heart of his workflow.

Included is a bonus tutorial that provides a great foundation for understanding basic elements of a character as well as character archetypes.

Content for this 3D Character Development Tutorial Includes..

• Building your story world
• Identifying characters and roles
• Who is your character design aimed at?
• Character strengths and weaknesses
• Define the character’s “look and feel”
• 15 Recommended products for developing characters in Daz Studio.
• Writer and reader perceptions of characters
• Making the character distinctive
• Real world checks on your character
• Dealing with an ensemble of characters

Bonus tutorial : Creating Compelling Characters by Peter von Stackelberg (part 1 only)

• Our understanding of the characters is shaped by the actions they take
• Elements to understanding a character
• Key Properties of Characters
• The Characters Populating Your Storyworld
• Major, Minor and Placeholder Characters
• Character Archetypes
• Avoiding Clichés and Stereotypes
• Raising the Emotional Stakes
• Why is it important that characters be distinctive?
• What makes a character distinctive looking?
• What keeps characters from looking distinctive?
• Purposeful Resemblances
• Challenges In Distinctive Features
• How characters are typically differentiated
• Ways to test your cast’s distinctiveness

You can find other series that Drew Spence has created with Digital Art Live for purchase in the Daz Store. https://www.daz3d.com/digital-art-live You can take classes, watch tutorials and attend webinars and much more https://digitalartlive.com/events/

How to Create Sci-Fi Special Effects (in Daz Store)

Drew Spence webinar tutorial product available in Daz Store!

In order to create an astounding Science Fiction Universe it requires numerous special effects!

Want to know how to produce laser swords, energy bolts, explosions, laser blaster effects, battle damage, starship jets and contrails to give your artwork extra dynamics? Drew Spence takes you on a step by step journey to help you generate some Sci-Fi vitality in your renders.

Drew uses both Daz Studio and PhotoShop to show must-have resources and techniques to help build a better looking Sci-Fi Universe. He goes on to using ParticleShop and a mix of other powerful resources rarely considered to create stand-out effects.

This product includes tutorials totaling 2 hours and 55 minutes and many supporting files to get you started fast in making your own special effects.

Software required to follow along with these tutorials:

• Daz Studio
• PhotoShop
• ParticleShop is used to a lesser extent

Tutorial Content Summary

Laser swords:

• Laser sword effects
• Laser sword trails
• Sabre locks : laser swords clashing
• Cutting and slashing effects
• Recommended lighting for laser sword effects
• Best laser sword related products

Laser Guns/Blasters/Phasers:

• Laser blaster effects
• Sci-Fi muzzle flash
• Blaster explosions
• Blaster scoring effects
• Shattered glass
• Streaming phaser beam
• Best blaster/laser/scoring brushes and products

Spaceship jets, contrails and damage:

• Jet effects – using authentic lighting
• Jet engine trails and high energy plasma exhaust
• Battle damage : dirtying up a spacecraft in a laser battle
• Best brushes and resources for jets and contrails
• Bonus : Must-have – three incredible resources – surprising source of special effects you wouldn’t expect.

Inside a Spaceship:

• Creating a convincing spaceship interior scene using modular elements in novel ways.
• Unexpected uses for Sci-Fi props and gadgets.
• Lighting and dressing up your own Sci-Fi set using Nurnies and Greebles
• Creating a star-gazing viewport scene with modular parts and the supplied galactic backdrops.

We’d like to thank ERA-7 for providing a free Sci-Fi Textures Pack included in this product.

About the Presenter : Drew Spence:

• Drew Spence is a graphic comic writer and illustrator from New York. He creates under the title of The Dynamic Universe. He has combined his music and video into several works- including Mark of the Griffin, which is both a graphic novel and web series. He is part of the instrumental group Fallout Shelter which provides the soundtrack. The other band members are Domino Grey, Dynamics Plus and Xodus Phoenix.
• Drew Spence is a graduate of Stony Brook University with a Bachelor of Arts degree in Fine Art and holds various certificates – from graphic arts to web design. Drew Spence was the CEO and Editor-in-chief of Producer’s Edge magazine, a quarterly publication dedicated to all aspects of music production. The magazine was packaged with a DVD which included sound samples, instructional videos and software. He currently lives on Long Island, New York and produces his work from the aptly named Fallout Shelter Studios, where he crafts crafty and clever comics using CGI and photo-realistic image manipulation.

You can find other series that Drew Spence has created with Digital Art Live for purchase in the Daz Store. https://www.daz3d.com/digital-art-live You can take classes, watch tutorials and attend webinars and much more https://digitalartlive.com/events/

Sci-Fi Special Effects Webinars Saturday & Sunday June 1 and 2nd

Creating an astounding science fiction universe requires numerous special effects. Want to know how to add laser swords, energy bolts, explosions, starship jets and contrails to give your visuals extra dynamics? Drew Spence takes you on a step by step journey to help you create some sci-fi vitality in your story world. He’ll use Photoshop to demonstrate the best techniques and brushes as well as other must-have resources to help you build your sci-fi universe.

Sci-fi special effects webinar entry

$55.00

Sci-fi special effects webinar entry. Includes HD webinar recording and any materials that the presenter includes for class members.

Part 1 : Sci-fi weapons

Date: Saturday 1st May

Duration: 1.5+ hours.

Laser swords : “An elegant weapon for a more civilized age.”

• Laser sword effects
• Laser sword trails
• Sabre locks : laser swords clashing
• Cutting and slashing effects
• Recommended lighting for laser sword effects
• Best laser sword related products

Laser Blasters : “Sorry about the mess.”

• Laser blaster effects
• Sci-fi muzzle flash
• Blaster explosions
• Blaster scoring effects
• Shattered glass
• Streaming phaser beam
• Best blaster/laser/scoring brushes and products

Part 2 : Sci-fi Starships

Date: Sunday 2nd May

Duration: 1.5+ hours.

Spaceship jets, contrails and damage : “I’ve outrun Imperial starships, not the local bulk-cruisers, mind you…”

• Jet effects – using authentic lighting
• Jet engine trails and high energy plasma exhaust
• Space warp/jump effect including star trails
• Battle damage : dirtying up a spacecraft in a laser battle
• Colors for jets – what works?
• Best brushes and resources for jets and contrails
• Bonus : Must-have – three incredible resources – surprising source of special effects you wouldn’t expect.

Inside a Spaceship : “Would it help if I got out and pushed?”

• Plasma tubes
• Classic Sci-fi corridors – dressing and lighting for different scenes
• Sci-fi control panels : from kit bash to a graphic dashboard

Postwork help

During the webinars (If there’s time) or afterwards in the FB Digital Art Live community group…

• We’ll assist you with your own sci-fi/fantasy scenes to give you feedback on adding/adjusting special effects

You can find other series that Drew Spence has created with Digital Art Live for purchase in the Daz Store. https://www.daz3d.com/digital-art-live You can take classes, watch tutorials and attend webinars and much more https://digitalartlive.com/events/

Prime Postwork in the Daz Store

Prime Postwork Solutions Workshop available in the Daz Store

These tutorials presented by Drew Spence are designed to assist you with scene composition and postwork . If you’re having trouble for your renders in polishing your character-based scenes, Drew offers valuable postwork tools and tips that can assist you with that that process.

One tutorial provides a primer packed with tips, tools and approaches that will help you create a checklist of what to look for in a scene before it’s rendered and for actions you can apply in postwork.

The second tutorial is the recording of a live online class or “postwork clinic” where Drew assists artists with various problems found in their renders. 

• Learn from Drew’s own case studies of actions, filters, lighting, composition techniques learned over the years
• Advice on virtual camera set ups, composition, framing, lighting and postwork.
• See how to solve challenges with postwork when using Photoshop
• Repairs and fixing flaws in the rendered image.

Main tools used in these tutorials: DAZ Studio and Photoshop. Other postwork resources in the DAZ 3D store are recommended in the tutorials.

Duration: 2 tutorials with total duration of 2 hours and 30 minutes

You can find other series that Drew Spence has created with Digital Art Live for purchase in the Daz Store. https://www.daz3d.com/digital-art-live You can take classes, watch tutorials and attend webinars and much more https://digitalartlive.com/events/

Podcast Comic Review Demon Division + Postwork Demo

Demon Division look in The Dynamic Universe

Drew Spence form The Dynamic Universe looks at the CGI-powered comic Demon Division. Written by BeeMKay and Lara

The story and world:

The Division is up to its neck protecting mankind from Dark Mages – and the other way around. A new generation of Dark Mages is forced into service by the Division, and Seth Caelen tries his best to ease them into their new jobs. But his mission gets sabotaged when an over 60 year old, home-made problem surfaces and threatens the existence of mankind: the return of the Demons. Warnings: Occasional harsh language and swearing, some blood and combat violence.

This is comic is free to read on…

Line Webtoon

https://www.webtoons.com/en/challenge/demon-division/cover/viewer?title_no=213646&episode_no=1

ComicFury

http://demondivision.thecomicseries.com/comics/first/

Force Six Season I Wallpapers

Desktop Wallpaper package

Drew Spence from The Dynamic Universe drops a bundle of wallpapers from Force Six, The Annihilators Season I. The Redder Coltrane story arc took lead as the main plot line. In episode 10, Forced ENDtry, we saw the true series opener as the Force Six cadre was introduced. There are digital re-masters, bonus art and found images all re-worked into this fine collection of desktop wallpapers.

Package contains

22 Images – resolution 1920 x 1080 [300 DPI]

Free for our Patreon and...

The Full Product can be purchased for only $3.95 in these places:

Artstation.com Store

https://artstn.co/m/M3rk

https://www.artstation.com/griffinavid/store

PayLoadz.com direct product link

https://store.payloadz.com/details/2608482-photos-and-images-digital-art-wallpapers-force-six-season-i.html

PayLoadz.com Store

https://store.payloadz.com/results/77440-studio-avx-dynamica-music-producer-s-edge-magazine

And a FREE SAMPLER can be found on our Deviant Art page.

https://www.deviantart.com/g-mantis

The Disclaimer: This product is offered as a limited license.

You may not:
a) Re upload or host these files on any site or server.

b) Redistribute these files for any purpose- even for promotional reasons.

c) Resell or offer as bonus content for any other work or product.

Drew Spence is a graphic comic writer and illustrator from the United States. He creates under the title of The Dynamic Universe. He has combined his music and video into several works- including Mark of the Griffin, which is both a graphic novel and web series. He’s also part of the instrumental group Fallout Shelter which provides the soundtrack.

Like this kind of stuff? Support us on Patreon!

https://www.patreon.com/TheDynamicUniverse

Postwork Podcast Unit-M Copycat Calamity

Postwork Podcast Unit-M Copycat Calamity

http://unitmcomics.thecomicseries.com/

Drew Spence from The Dynamic Universe does another session of Post Work. The artwork is supplied by

UnitMCcomics and can be found here:

http://unitmcomics.thecomicseries.com/comics/first/

Unit-M is a web comic about a team of super-powered Monsters assembled to combat human-Monster violence and stand against prejudice. The comic takes place a world where Monsters with bizarre features and amazing abilities live among ordinary people.

Live webinars can be attended through Digital Art Live and they can be purchased as  a HD video from the Daz Store.

https://digitalartlive.com/

Products from the Daz Store

https://www.daz3d.com/digital-art-live

Products of note

https://www.daz3d.com/daz-studio-postwork-clinic

https://www.daz3d.com/comic-book-creation–foundation-course-part-1

https://www.daz3d.com/comic-book-creation–foundation-course-part-2

https://www.daz3d.com/digital-kit-bashing–easily-create-innovative-props-and-scenes

https://www.daz3d.com/digital-kit-bashing–space-and-spaceships

https://www.daz3d.com/digital-kit-bashing–cities-landscapes-and-structures

Read comics from The Dynamic Universe on comiXology

https://www.comixology.com/The-Dynamic-Universe/comics-publisher/12027-0

Support our works on Patreon

https://www.patreon.com/TheDynamicUniverse

Purchase out Digital 2D assets and more

https://www.artstation.com/griffinavid

Getting Out of Your Own Way

Drew Spence from the Dynamic Universe speaks on Getting Out of Your Own Way and what it means to overcome certain obstacles- standing in the way of your ultimate success. This is a creative discussion or a discussion for creatives.

You can find the more technical webinars based on 3D and comic art at the Daz Store under the Digital Art Live Magazine vendor.

https://www.daz3d.com/digital-art-live

And read the digital comics, based on his creative vision.

https://www.comixology.com/The-Dynamic-Universe/comics-publisher/12027-0

Or follow The Dynamic Universe on social Media.

Don’t forget to subscribe to this channel and activate the notifications.

@DynamicMusic
Support our art

https://www.patreon.com/TheDynamicUniverse

So I see this advice a lot, but I’m sure what all the platitudes that follow mean. Like, the big question is HOW. It’s great advice, but what do you mean exactly and HOW do I beat this? So here is a bunch of items. I struggle with this too.

1) Planning your success. Or forcing an exact plan forward. It must ONLY happen in the way you choose for yourself. You can’t choose how you’ll win; all you’ll do is stop or avoid successes pathways that are NOT in your plans.

2) Creating a plan that has no guaranteed victory. Like what will happen if every step fails. Usually involves, I’ll put up the money or do it myself.—that should be the last resort. If all else fails, I will WIN by doing XYZ.

3) Creating a plan that requires steps or people beyond your control or influence. I hear plans that say “When I do this, they’ll do this”  “After they do this, I’ll do this” or …

4) You don’t know until you know.  I was going to use sex a metaphor, but The Dynamic Universe says different. So instead, let’s talk about a house and how you can only know so much by looking at the outside. You have to enter the front door to talk about the living room. You have to get past the living room to speak about the kitchen and you can’t really talk about the bathroom until you use it. I find THAT is how many of these doors work. While your idea is an idea, it’s only an idea. When you execute it, then you can now envision the next step. This really speaks to experience and how, until you have an experience, it’s hard to gauge the next step.

5) Worry about WHAT you need to worry about. I see artists who haven’t completed a work, worry about advanced issues. What if my readers..? And you don’t have any. I see artists without a portfolio or completed work railing against fantasy restrictions from Marvel and DC – as if there’s some imagined pressure from companies and people who never heard of you and have no reason to care what you do. That’s a waste of brain energy and gets in the way of being productive.

6) The voices in your head.

                a) This other person is BETTER. I said styles make fights and there’s enough content that even second place means victory. It’s not the BEST or else fail. People read more than one book. I’ve felt the pressure to make enough content -or you think they ONLY read your work.

                b) You’re a hack. Training leads us to trust our instincts and make use of the heightened awareness. If you feel that you are cruising and NOT putting in enough work, that’s a warning that it’s become too easy and you are not challenging yourself. You are not experimenting and pushing yourself. I mentioned the paradox of spending money and watching tutorials and learning /studying enough to make the craft easier. If that pays off, you reach a point where you should be working hard and your art shouldn’t be HARD WORK. If creating your art is “hard work” then you haven’t mastered your tools or technique. Art should be something you work hard at, not hard work.

                c) The time isn’t right or you are not ready. Waiting for that perfect moment. I gave you the answer to the question of WHEN you should start releasing your work in a wider manner. If people suggest shares, like you should put your work on social media – or have you shown this to anyone? Those are clues that it’s time to get out there. When they mention money and compensating you for your efforts; it’s time to turn pro and go commercial.

                d) Next one will be better. “My next album will do it.” and you have no other, different plan than ‘more of the same- just better’. It’s the business/promotional part of your plan that failed, not the quality of the product. There’s a difference between re-working something that was sub-par and doing it again, but better. So to add clarity, there’s someth9ing out there that’s doing well, that you think is trash. The fact that it “sucks” and is winning means that your artistic opinion is NOT the sole reason it works or doesn’t work,. And once you see something that you think is garbage making way and making people successful, it’s time to let go of the notion that the quality of you art or creative pursuit is the main factor between success or failure. This boils down to business decisions, and that’s beyond our scope so we’ll save that for another day.

In the end, the voices in your head are a warning signal and show you where you need to place concentration. They are the subconscious fears that all artists have. The point is to listen and DO something about them. The voices in your head are important and are linked to a survival instinct. They warn us of danger and should be a reason to move forward and act and NOT to sit still and worry. No problem was ever solved from worrying. You need a plan of action to deal with those voices. Listening to them and then being paralyzed (be them) is another obstacle to overcome. They will always be there. What you do about them is what counts.

                7) Having a good idea versus being a thing that generates good ideas. I’ve seen artists who have hung on to a good idea for so long it becomes an obstacle. They can’t move beyond the fantasy that this ONE great idea is what they will build their ultimate success.  Have more than one good idea. Sometimes the solution is to get that (first/big) idea out — Write it down or record it, dictate it so that the idea exists and allow your mind to work on the next part or idea.  You have an album that contains all your best songs to date. Well, imagine that album came out. What comes after that? I have a superhero team that does ABC and that should shake things up… Well, what happens after that?

All these thoughts and more as we explore Thoughts an ideas about being a creative.- all from The Dynamic Universe. Thank you for watching.