Home > Chaos Legion Series, Track Spotlight > Dynamics Plus Track Spotlight Invincible Gold Champion

Dynamics Plus Track Spotlight Invincible Gold Champion


Invincible Gold Champion

Back Story

“The Invincible Gold Champion” is about a gladiator who was promised King Pariah’s daughter as a victory prize (along with his freedom) if he can amass a thousand victories in the arena. It’s the classic medieval ‘do something courageous’ and win the fair princess theme. For most, that’s an impossible task and the king never really intends to see anyone accomplish it. As the Gold Champion wins more and more, the princess takes an interest and the two fall in love. Outraged, the king cheats the Gold Champion on his last match and exiles him from the realm. The princess is forced to marry for political gain and dies in childbirth a few years later. The scribe Orice Corraine does note a local belief that the princess died of unhappiness. The Invincible Gold Champion (who many say was driven mad by the news) sets up on a bridge at the far end of King Pariah’s border.

As the Chaos Legion attempts to cross the bridge, the Gold Champion defeats the armies best fighters. The Gold Champion deems Plus worthy to be the final challenger. The defeat leaves Dynamics Plus hanging from the bridge where he is forced to agree to The Gold Champion’s terms and promise to deliver a message…so to speak. Once Dynamics is pulled to safety, the Gold Champion leaps to his death.

Lyric Study

“His hardened armor grayed, dated faded, plates decayed…”

That’s the opening that describes what I see in the Gold Champion. You can imagine how old and rusted his armor must be after all these years.

“I gauged, it’s past its age, back from days of sporting range..”

It’s really an old style and it’s based more on tournament fighting than the heavy combat armor a modern legionnaire would wear. Although I used Spartan warrior images for the album art, it’s actually heavy electronic combat armor we wear. In melee combat it can take lots of blunt force and small arms fire before failing.

“…around his waist were wrapped in chains, grips and fists the same…”

I noticed he had chains layered into his armor, but I thought they were light reinforcement and decoration.

“His belt unfolds, he rolled behold he who holds the chain that rips
he whips, my shield shatters into tattered strips…”

This is a reference to the fighting style and ‘finishing’ move from “The Magnificent Six”. If you remember, the king was blinded by the suns’ reflection in the shield. Dynamics obviously won’t be using that move in this fight.

“He unleashed a leash, malicious treat, metallic fleece
at Least its reach it seeks and wreaks, a hungry beast it needs to eat…

The whip he uses becomes symbolic of our entire relationship. It defeats me at long range and so I move in closer which proves to be my undoing. He’s just too fast in the lighter armor. On the edge of the bridge he wraps the whipping chains around me and it’s the same ‘rope’ I grasp after I fall. It’s also part of the message I deliver at the end of the album.

Studio Session

This one came together in lots of little pieces. I had the idea for a one on one battle early on in the album writing and I wanted to give the listener a strike for strike account for a fight scene and this was the perfect opportunity. Originally, I was going to go back and forth with the Gold Champion and split each verse, but I did that already with “Den of Thieves” and I didn’t want to use that same formula again. The next idea was to have the Gold Champion on the hook and Dynamics Plus only on the verses. I played the first version for P.R.O. and he wanted to hear the Gold Champion cadence and delivery for the entire song. I thought it would be fitting to have the ‘winner’ be so good he actually replaces me on the vocals. And this makes for the only song where a character tells the story from my perspective.

Production Notes

The drums are Fxpansion’s BFD 2 using both its internal suite of effects and additional plug-ins. It’s a custom kit that uses two alternating bass drums usually triggered by both feet, but in this case, two different pads. The stabbing synth line that starts the track is made up of three Korg MicroKorg layers run through a chain of MoogerFooger pedals. There’s a few buried synth tones from the Alesis Andromeda A6 and every other natural sound (including the female chorus pads) are from the Roland Juno-G. I went with a subtle mix so that you wouldn’t really hear the elements coming in and out. For some songs, I felt a total directional change was needed as in “Day of Scarecrows”, but I chose to let the voice carry this record with very little taking away from the overall flow. This is one of my favorite songs and I feel like the frantic energy level is captured perfectly in this recording.

Thanks for checking out my music.

– Dynamics Plus

For more, visit: http://www.TheDynamicUniverse.com


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